I’ve added new high quality event photos of Rooney Mara attends the Calvin Klein Collection post show event at Spring Studios on September 12, 2013 in New York City.
Good news, Rooney Mara has landed a role in Todd Haynes directed new film, Carol. Mia Wasikowska was previously attached to the film but was dropped recently. The film evolves around two women from different backgrounds strike up a relationship in 1950s New York. Based on Patricia Highsmith’s book “The Price of Salt.”
Todd Haynes on Rooney Joining ‘Carol’
“We’re over the moon to have Rooney on board,” said Haynes. “I’ve been a tremendous admirer of her work from the beginning, so the thought of bringing her together with Cate on-screen is thrilling to say the least.”
Added Karlsen: “Rooney Mara is one of the most interesting and striking young talents working today. There are few actors who have the weight to play against someone with the extraordinary distinction and mercurial range of Cate Blanchett, and she is one of them. The combination of them both is something potentially sensational.”
Rooney Mara is not known for giving off the warmest of first impressions. Standoffish, aloof, icy, remote, guarded, distant, opaque, steely, impenetrable, unreadable: such tend to be the words used by journalists to describe their encounters with the actress, a less than inviting list of adjectives that I decide to lob at her the moment we meet in Manhattan. I figure my little ignoble stunt will put Mara on the defensive, stir up some deep-seated insecurities, maybe even provoke a flash of anger, all in the name of exposing some new, hidden dimension of the actress to the world.
“Yeah,” Mara says when I finish. “I kind of have a bad reputation, don’t I?”
Her tone is so unruffled that she may as well be remarking on the weather in a city she doesn’t care to visit. And from there? Silence. Mara fixes me with the same unblinking, glacier-eyed stare she deploys so penetratingly on screen — most notably in her breakout role, as the cyberpunk Lisbeth Salander, in David Fincher’s 2011 adaptation of “The Girl With the Dragon Tattoo.” Finally, sensing victory in my discomfort, a sly grin springs up on Mara’s elfin, alabaster face.
“Isn’t mystique and the unknown,” she asks, “part of what keeps you drawn to someone?”
Rooney has recently spoke to MTV on how excited she is to play Lisbeth Salander in the second installment of ‘The Girl With Dragon Tattoo. she reveals to MTV that she is not getting any younger as the second installment involves many angle of physical than the first film and couldn’t wait to get it started.
”I hope that they make the second one. I’m just not sure when they’re going to. I mean, I hope they make it soon because I’m not getting any younger. The second one is very physical, so hopefully they’ll be making it sooner rather than later.”
Rooney spoke during an interview at the W Union Square Hote on playing as a mom role in ‘Ain’t Them Bodies Saint’ is really different from anything she has read and a life changing experience.
“You know I really wanted to play a mom,” said Mara, 28, “but so many times I read these scripts where it’s just like ‘the mom,’ the protective mom.”
“When Ruth finds out she’s gonna have a baby, she’s not particularly excited by it. It’s not like she found out she was having a baby and was all of a sudden like, ‘Yes! I am a mother now. I am gonna make smart, responsible decisions.’
“No, that’s not how life happens. You can be a parent and love your child more than anything and still make bad decisions — and you think you’re making the right decisions.
“She doesn’t feel ready and she really doesn’t want to have a baby,” she continued.
“Until she sees the baby for the first time and then — she’s in.
Until now, Rooney Mara’s on-screen presence could almost always have been described as steely, thanks to tough turns in The Social Network, Side Effects, and, of course, The Girl with the Dragon Tattoo, the movie that rocketed her to the A-list and netted her an Oscar nod. But that’s all changing with the indie Western Ain’t Them Bodies Saints, which allows Mara to bare a bit of her soul as young mother Ruth, one half of an outlaw couple in 1970s Texas. Ruth’s husband, Bob (Casey Affleck)—the Clyde to her Bonnie—takes the fall for her cop shooting, only to spring from the joint and fight to reunite with his family.
The tender, morally complex role is refreshingly new territory for Mara, whose subtly heartbreaking performance begs the question: Is this the real Rooney? Famously cagey about her personal life, the raven-haired 28-year-old is an enigma among starlets, and when she sat down with DETAILS, she faithfully maintained much of her trademark mystique. But she did share her thoughts on the unique playlists she creates for her roles, the Kenyan charity she started when she was 21, working with Anna Wintour, and how, in the end, none of us ever truly knows the “real” anyone.
DETAILS: Your role in Ain’t Them Bodies Saints allows for a lot of the tough resolve viewers have come to expect from you, but it also features more vulnerability than we’ve seen you express before, and Spike Jonze’s Her (slated for release in January) seems like it might do that as well. Is that a part of yourself you want viewers to see more of?
ROONEY MARA: I never think of it like, “What do I want people to see?” Certainly, the character does have a lot more vulnerability. I don’t know, I think that’s just where I was when I chose those roles. Maybe I was feeling more vulnerable, and that’s what I responded to.
DETAILS: What drew you most to this particular material?
ROONEY MARA: [Director] David Lowery just has a really special, unique voice, and the script was so beautifully written. In the first draft that I read, Ruth was actually not that well developed, but I could still see all the potential there. And her relationship with Bob I found to be beautiful and interesting, and I also really loved the love story between her and her child. I read a lot of scripts where it’s just, “the mom.” I found the way that she was a mother and her relationship with her child to be very different. It was much more complicated than simply, “the protective mother.”
DETAILS: Ain’t Them Bodies Saints has been compared to the work of Terrence Malick, and you’ve recently worked on an upcoming project with him. Do you find a lot of similarities between David and Terrence as directors?
ROONEY MARA: People make that comparison a lot. Their directing styles could not be more different, but I would say that the similarities between them are that they’re both very romantic, and they both see the world in a sort of poetic way.
DETAILS: I was told that your charity, the Uweza Foundation, which supports families in Kenyan slums, was something you first got rolling when you were only 21. If you weren’t an actress, do you think you’d be doing more of that kind of work?
ROONEY MARA: I can’t imagine my life without having some sort of creative outlet like [acting]. But what I do for Uweza and for Oxfam America is what grounds me.
DETAILS: David reportedly sent you a number of songs to help you get into the character of Ruth—songs by artists like Joanna Newsom that helped to inspire the movie. Did you like his playlist? Was it helpful in building the character?
ROONEY MARA: I liked them, but…[Laughs]…I had my own songs that made me feel like the character, so I appreciated his songs, and I listened to them, but then I just, kind of…never listened to them again.
DETAILS: What were your songs?
ROONEY MARA: God, I don’t know, I had such a long playlist that I would listen to. There was a lot of Loretta Lynn on there, and a lot of sad songs. I’m constantly listening to music when I’m working, and I have different playlists for each character.
DETAILS: What was on your playlist for [Dragon Tattoo‘s] Lisbeth Salander?
ROONEY MARA: There was a lot of angry music, like Nico Vega, and a lot of stuff that [director] David [Fincher] and Trish Summerville, the costume designer, had sent me, like the Karen O cover [of “Immigrant Song”] was on there.
DETAILS: In the midst of the release of The Girl with the Dragon Tattoo, you were also seemingly being groomed as the unofficial new face of Vogue. You’ve been on two covers now, as well as the cover of the magazine’s latest book, The Editor’s Eye. Who would you say was the more intimidating woman: Anna Wintour or your character Lisbeth?
ROONEY MARA: Lisbeth is much more intimidating. Anna’s a wonderfully intelligent, wildly successful woman. A powerful woman. I guess I can see why she’s intimidating to people, but I think people view that differently than they view men in a position of that kind of power.
DETAILS: Do you feel like people view you as intimidating?
ROONEY MARA: I don’t know, do they?
DETAILS: I think you’re generally perceived as having a fairly intimidating persona.
ROONEY MARA: That’s okay. [Laughs]
DETAILS: There’s a moment in Ain’t Them Bodies Saints in which Casey Affleck’s character says, “People don’t know things the way that they think they know them.” In your experience, is there something the public, or maybe even your peers, may seem to think that they know about you that’s not accurate?
ROONEY MARA: Probably most everything the general public thinks they know about me is not accurate. There are very few people that you truly know in your life. It’s hard to really know someone. People are very complicated. I think we try to simplify people and put them in little categories of being this person, or that person, and it’s just simply not true. I’m sure that most people who don’t know me, probably most of the things they think about me aren’t true. And the same goes for me, with other people that I don’t know. I probably don’t really know anything about them.
In the not so distant future, Theodore (Phoenix), a lonely writer purchases a newly developed operating system designed to meet the user’s every needs. To Theodore’s surprise, a romantic relationship develops between him and his operating system. This unconventional love story blends science fiction and romance in a sweet tale that explores the nature of love and the ways that technology isolates and connects us all.