I’ve added new outtakes of Rooney Mara and Jude Law pictured during a photoshoot session for their film, ‘Side Effect’.
After seeing “Ain’t Them Bodies Saints” earlier this year at the Sundance Film Festival, we said in our review that it’s “a wholly engrossing and impressive piece of work that the movie world will be talking about all year long.” Indeed, the chatter around the well-received film is likely to continue as it heads to the south of France next week to screen for international audiences and critics. And today we have some exclusive images from the movie, which is one of our 15 Most Anticipated Indie Films Of The Summer. Featuring a stellar cast including Casey Affleck, Rooney Mara, Ben Foster, Keith Carradine and Nate Parker, the story follows an outlaw who escapes from prison to reunite with his wife and the daughter he’s never met. And that’s just part of the film, which we called “a searing, romantic crime drama and love story.” As these images suggest, it’s not only a great story, but it’s beautifully lensed as well. Here’s the film’s new synopsis.
Bob Muldoon (Casey Affleck) and Ruth Guthrie (Rooney Mara), an impassioned young outlaw couple on an extended crime spree, are finally apprehended by lawmen after a shootout in the Texas hills. Although Ruth wounds a local officer, Bob takes the blame. But four years later, Bob escapes from prison and sets out to find Ruth and their daughter, born during his incarceration. Set against the backdrop of 1970’s Texas Hill Country, first time director David Lowery paints a poetic picture, evoking the mythology of westerns and saturating the dramatic space with an aching sense of loss. Featuring powerful performances by Affleck and Mara as well as Ben Foster and Keith Carradine, AIN’T THEM BODIES SAINTS is a story of love, motherhood and searching for peace while faced with an unrelenting past.
Produced by Toby Halbrooks, James M. Johnston, Jay Van Hoy, Lars Knudsen, Amy Kaufman and Cassian Elwes, “Ain’t Them Bodies Saints” will arrive in theaters via IFC Films on August 16th. It will play as part of the Critics’ Week section at Cannes and also hits BAMcinemaFest in New York City in June.
Source: Indie Wire
Hollywood’s female actors tend to fall into one of two categories when talking about themselves. The sexy starlet types will try effusively to convince you they were tomboys growing up, while the serious actors – irritated to be talking about anything but the art – will begrudgingly allow you to write that they were dark-minded toddlers or troubled teens. So,Rooney Mara: which were you?
“I like that. That’s good.” She smiles, and it takes her extraordinarily malleable face from blank to beautiful in an instant. “Well, OK: when I was three or four, I decided to dress up for Halloween as Clara, the crippled girl in the Heidi books. I wanted to make it authentic so I insisted my mom wheel me around in a buggy; you know, because the crippled girl needed a wheelchair.”
Did she agree to that? “Sure she did. She was totally on board.”
Certainly, then, one couldn’t accuse Rooney Mara of lacking the requisite, natural-born imagination from which to draw the range of characters she’s created, from her blistering tour de force as Lisbeth Salander in David Fincher’s version of The Girl With The Dragon Tattoo, to her short but memorable turn as Mark Zuckerberg’s quietly furious girlfriend at the start of The Social Network. But it’s her face, sculpted in the tradition of a Mary Pickford or Mae Marsh – all Slavic cheekbones, porcelain skin and cool, intelligent eyes – that instantly mesmerises. It’s an extraordinary face: plain and pretty at the same time, she gives away nothing in person but everything when in front of the camera. Steven Soderbergh, director of her latest film Side Effects, describes it as “[a] very classical, almost silent-movie face; very ‘shootable’.” Continue reading Rooney Mara: ‘I’ve been guarded since I was three years old’
Over the past two years, 27-year-old Rooney Mara has emerged as one of the most talked about and talented—if intriguingly complicated and enigmatic—young actresses of her generation. In fact, Mara’s ability to convey a range of often competing emotions without going over the top—used to such great effect in her Oscar-nominated performance as the determined-but-damaged hacker Lisbeth Salander in The Girl with the Dragon Tattoo—is party of what makes her so irresistibly watchable. But what’s she really like? On the eve of his retirement from feature-filmmaking, Steven Soderbergh, who directed Mara in the new psychological thriller Side Effects, graciously agreed to illuminate for us the completely unadulterated, absolutely unembellished, thoroughly unvarnished truth. Here, we present a Mara in full.
[Editor’s note: This interview was conducted via e-mail, and contains coarse language, discussions of nudity, and exorbitant amounts of biting sarcasm. Reader discretion is advised.]
STEVEN SODERBERGH: Did you think you were Little Miss Hot Shit in college, or did that come later?
ROONEY MARA: When I was at college, my nickname was Keds, because I wore Keds. I guess it wasn’t really a nickname, because nicknames are usually given to you by people who are your friends and who know you. But I didn’t know the people who called me Keds. I think that they didn’t like me because I didn’t want to join a sorority. I left that school.
SODERBERGH: Sounds like you would have been asked to leave if you hadn’t left on your own, especially since you think that all sororities should be abolished. Your background is boring me, so let’s get to the movie stuff. When you were working with [David] Fincher on The Girl With the Dragon Tattoo , why did he have to do so many takes of all your scenes?
MARA: Har, har . . . Because I am such a pleasure to be around, Fincher would prolong my scenes so that I would be on set all of the time. And maybe because I am stubborn, I thought that I could out-stubborn him. But you can’t out-stubborn a Finch. He was always right, though. Not everyone can make films with “less than one take,” like you.
SODERBERGH: So do you really have any tattoos? Or was that acting?
MARA: I don’t have any. That was acting.
SODERBERGH: And are you an expert hacker? Or was that acting, too?
MARA: That was also acting. Unfortunately.
SODERBERGH: So why didn’t you win the Oscar?
MARA: Lots of reasons . . . I know how much you love your Oscar. My dog’s name is Oskar.
SODERBERGH: As an Oscar-winner, I find that incredibly insulting. By the way, do you know that your dog hates the way you smell?
MARA: He’s sleeping next to me right this very moment. He loves everything about me, bless his little heart.
SODERBERGH: In our movie, Side Effects, you were asked to play a woman who is struggling with clinical depression—amongst other things. I must note for the record that, as your director, I did not see you do any preparation for this role. Do you wing it all the time, or were you just trying to fuck up this movie specifically?
MARA: Clearly, on the eve of your retirement, you stopped paying attention to everything. When I do a film, I follow the director. And because you wing everything—like this interview—I decided that that’s the way I should work as well.
SODERBERGH: I think we both know how much I prepared for this interview. But just to give the Interview readers a little bit of insight . . . For the first week of shooting, I told you to do the opposite of what I wanted you to do, because I knew that you would do the opposite of what I asked. Then you stopped doing that, so I started asking you to do what I wanted, which you did for a while, and then I went back to asking for the opposite, and then, after about day nine, I was so medicated that I’m not sure what happened. Tell me about that.
MARA: If you hadn’t lost your ability to read people, you would have known that at first I was doing whatever you asked—and then slowly, bitterly, I started doing the opposite.
SODERBERGH: Glad it was a short shoot. By the way, you wanted your fee on Side Effects to be paid to you in small, unmarked bills. What’s up with that?
MARA: Shh . . .
Rooney Mara tells director Steven Soderbergh just how much she trusted him while filming “Side Effects” in the new Interview magazine.
“I just do what I’m told, when I’m told,” she says. “There is a line, though — like when you asked me to do reverse cowgirl with Channing (Tatum, who plays Mara’s husband in “Side Effects”), and I put my foot down. If the character should be nude in the scene and it makes sense and I trust the person making the film — and I regret my decision to trust you now that I know you more — then I don’t see a problem with it. I certainly don’t want to be involved in anything that is gratuitous, but I don’t think the human body is something to be ashamed of.
“Every other person on the planet has the same parts as I do. So seeing them shouldn’t be a huge shock to most people,” she says.
“First of all, reverse cowgirl occupies a very important position in porn — pun intended,” jokes Soderbergh. “Plus, you told me that you couldn’t stand to look at Channing, so I was just trying to solve a problem.”
“You would know,” she says “If I recall, Channing didn’t want to look at me.”
She also tells Soderbergh that she wonders about how a movie would be completed if she were to die part way through filming.
“Sometimes I think about that — like, ‘Okay, if I died right now, would they have to reshoot the whole film? Or would they be able to edit around it,’ says the former “Girl with the Dragon Tattoo.”
“Then I think through the scenes that are left to shoot, and weigh if they would be able to finish it or not.”
And growing up in the Mara house meant watching your mouth with bad words.
“When I was growing up,” she says, “I wasn’t allowed to say ‘fart.’ Fart was a swear word. We had to say ‘honk’ instead — ‘He honked!’ A penis was a ‘winky.’ But these days, I like words with a little more punch.”
“Like doodie?” asks Soderbergh.
“Like c—,” says Rooney.
Source: NY Daily News