I’ve added new event photos of Rooney Mara attends ‘The Great Gatsby’ Party during the 66th Annual Cannes Film Festival at the Quai Lauboeuf on May 15, 2013 in Cannes, France.
After seeing “Ain’t Them Bodies Saints” earlier this year at the Sundance Film Festival, we said in our review that it’s “a wholly engrossing and impressive piece of work that the movie world will be talking about all year long.” Indeed, the chatter around the well-received film is likely to continue as it heads to the south of France next week to screen for international audiences and critics. And today we have some exclusive images from the movie, which is one of our 15 Most Anticipated Indie Films Of The Summer. Featuring a stellar cast including Casey Affleck, Rooney Mara, Ben Foster, Keith Carradine and Nate Parker, the story follows an outlaw who escapes from prison to reunite with his wife and the daughter he’s never met. And that’s just part of the film, which we called “a searing, romantic crime drama and love story.” As these images suggest, it’s not only a great story, but it’s beautifully lensed as well. Here’s the film’s new synopsis.
Bob Muldoon (Casey Affleck) and Ruth Guthrie (Rooney Mara), an impassioned young outlaw couple on an extended crime spree, are finally apprehended by lawmen after a shootout in the Texas hills. Although Ruth wounds a local officer, Bob takes the blame. But four years later, Bob escapes from prison and sets out to find Ruth and their daughter, born during his incarceration. Set against the backdrop of 1970’s Texas Hill Country, first time director David Lowery paints a poetic picture, evoking the mythology of westerns and saturating the dramatic space with an aching sense of loss. Featuring powerful performances by Affleck and Mara as well as Ben Foster and Keith Carradine, AIN’T THEM BODIES SAINTS is a story of love, motherhood and searching for peace while faced with an unrelenting past.
Produced by Toby Halbrooks, James M. Johnston, Jay Van Hoy, Lars Knudsen, Amy Kaufman and Cassian Elwes, “Ain’t Them Bodies Saints” will arrive in theaters via IFC Films on August 16th. It will play as part of the Critics’ Week section at Cannes and also hits BAMcinemaFest in New York City in June.
Source: Indie Wire
Hollywood’s female actors tend to fall into one of two categories when talking about themselves. The sexy starlet types will try effusively to convince you they were tomboys growing up, while the serious actors – irritated to be talking about anything but the art – will begrudgingly allow you to write that they were dark-minded toddlers or troubled teens. So,Rooney Mara: which were you?
“I like that. That’s good.” She smiles, and it takes her extraordinarily malleable face from blank to beautiful in an instant. “Well, OK: when I was three or four, I decided to dress up for Halloween as Clara, the crippled girl in the Heidi books. I wanted to make it authentic so I insisted my mom wheel me around in a buggy; you know, because the crippled girl needed a wheelchair.”
Did she agree to that? “Sure she did. She was totally on board.”
Certainly, then, one couldn’t accuse Rooney Mara of lacking the requisite, natural-born imagination from which to draw the range of characters she’s created, from her blistering tour de force as Lisbeth Salander in David Fincher’s version of The Girl With The Dragon Tattoo, to her short but memorable turn as Mark Zuckerberg’s quietly furious girlfriend at the start of The Social Network. But it’s her face, sculpted in the tradition of a Mary Pickford or Mae Marsh – all Slavic cheekbones, porcelain skin and cool, intelligent eyes – that instantly mesmerises. It’s an extraordinary face: plain and pretty at the same time, she gives away nothing in person but everything when in front of the camera. Steven Soderbergh, director of her latest film Side Effects, describes it as “[a] very classical, almost silent-movie face; very ‘shootable’.” [Read more…]